By John Walden Don’t let its low price fool you: If you’ve been around computer-based music making for any length of time, you’ll know that the world is not short of virtual synths. Do we really need another one? Sonic Academy obviously think so, having launched ANA. So, given the budget price, how well does ANA actually perform?
Sonic Academy ANA
By John Walden Don’t let its low price fool you: If you’ve been around computer-based music making for any length of time, you’ll know that the world is not short of virtual synths. Do we really need another one?
Sonic Academy obviously think so, having launched ANA. So, given the budget price, how well does ANA actually perform? ANA Outline The envelope options include the interesting Graphical Envelope, which allows users to define their own envelope shapes.
Let me explain: The first two oscillators are fairly conventional but Oscillator 3 allows you to blend in different noise types while Oscillator 4 can be used to blend in the attacks of real instruments such as guitar, strings, bell, piano and bass.
There are two filters that can be run in series or parallel and feature 13 different filter types, and ADSR envelopes are available for both the filter and amplifier section. Further sound-shaping is available via two low-frequency oscillators and two modulation sections, all of which can address the same range of targets as the envelopes. My own testing was done on my Mac system, using Cubase 6.
That said, most complex soft-synths can chew their way through a fair number of CPU cycles, so this isn’t something only applicable to ANA. As suggested by these categories, the sounds are aimed at electronic music styles. The former includes some excellent bass, ‘stab’ great for staccato-style chords and lead sounds, while the Dubstep basses demonstrate the programming potential, as there is plenty of wobbly, pitch-shifting action going on.
Even before you begin to program your own sounds, the presets prove that ANA sounds very good indeed. There are several presets that illustrate this feature.
That said, configuring the various filters and envelopes is reasonably straightforward. Of course, the effects of filters and envelopes in terms of sound shaping depend upon how the oscillators are set up. The two standard oscillators are easy enough to work with, but the noise and attack oscillators really do add some excellent extra flexibility. This works well enough, but it is very hit and miss.
SOUND ON SOUND
Sonic Academy – ANA v + Presets (VSTi) Download: dkatxe.me pF10hUE1EhqTD. You can find out all about our awesome new plugin here. ANA Out Now. You can Check some demos from the pack below. Chris Agnelli and Phil Johnston take an in-depth look at Sound Design in ANA V Taking you from the fundamentals of creating basses and.
Sonic Academy updates ANA synthesizer plugin to v1.5
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HOWTO: Sonic Academy ANA
Explore the largest community of artists, bands, podcasters and creators of music & audio. We believe that a great sounding main synth is key to great sounding productions but for too long these type of products have been priced out. Sonic Academy – ANA v + Presets (VSTi) Download: dkatxe.me pF10hUE1EhqTD.